News from Ryedale Folk Museum
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14 May 2021 - The artist and the land – Kane Cunningham’s ‘Northern Eutierria’
A series of dramatic new artworks by artist Kane Cunningham is showing at Ryedale Folk Museum this summer. Funded by Arts Council England, ‘Northern Eutierria’ brings together a selection of watercolours and oil paintings exploring the interconnectedness of the artist and the northern landscape during a year like no other.
On display from Saturday 24 July to Sunday 5 September, the exhibition marks a new phase in Cunningham’s work, created in response to the conditions of lockdown.
“Cunningham has a strong awareness of the complex relationship between the landscape artist and the land, including the North York Moors that surround the Museum,” says Ryedale Folk Museum’s Director, Jennifer Smith. “What we are seeing now is that this has been augmented by the conditions of lockdown. We’re delighted to host this new work, showing a change in Cunningham’s working practices, the scale of work, even his materials.”
“I have always felt uncomfortable painting without permission in the landscape,” says Cunningham, “but this feeling became more extreme during lockdown, when we were told to Stay Home. For 20 years, I have travelled from Scarborough to St. Bees, coast to coast, but in early 2020 this journey had to become imaginary.”
Though raised in Manchester, Cunningham is a long-standing resident of Scarborough and his art often responds to the landscape surrounding this coastal town – including the North York Moors to the west. The Lake District and other northern landscapes will also feature in the exhibition.
Once restrictions eased in the region, Cunningham resumed his normal painting methods, with much of his work taking place out of doors, following in the tradition of other landscape painters, including J M W Turner, whom Cunningham cites as an influence.
Like Turner, Kane often works in watercolour: “It’s my preferred medium, because it is wonderfully expressive. It allows artists to work intuitively, outside in the landscape.”
After lockdown, however, Cunningham found that he felt differently about his former working practices: “Even though I was now allowed to be outdoors, painting outside, I felt conspicuous in the landscape. I found myself wanting to be less visible, tucked away, sometimes even working from my van.
“For me, the landscape has often felt like a contested space,” explains Cunningham. “The freedom to roam in the landscape and the battle over access to the moors is well documented. Walkers’ rights to travel through common land and open countryside were protected by the CROW Act in 2000. But lockdown added another layer of complexity to this.”
Another side effect of lockdown has been a reconsideration of Cunningham’s use of materials. “With shop closures, it became impossible to browse art materials in specialist shops. I started experimenting with the natural resources surrounding me in the moors.”
Having been unable for many months to paint in front of the landscape, Cunningham now found himself painting directly from it, literally using what he found. “I began experimenting with textures and colour,” he explains, “mixing materials from the land, such as peat, water and even sheep droppings, directly with gum Arabic.
“Working at Bank Top, not far from the Hollins Mine near Rosedale, I found deposits – limonite, the residue from iron ore mining. There’s a stream which is bright orange. It’s very inspiring to paint with.” What results is a new body of work in which Cunningham has developed his relationship with the land a stage further.
‘Northern Eutierria’ is on display in the Art Gallery at Ryedale Folk Museum, in Hutton-le-Hole in the heart of the North York Moors National Park, from Saturday 24 July to Sunday 5 September.
For more information visit www.ryedalefolkmuseum.co.uk/art-gallery/
2 July 2021 - Statement from Ryedale Folk Museum about the loan of the Harrison Collection
The trustees of Ryedale Folk Museum (“the Museum”) have decided not to try to extend the loan of the Harrison Collection, which had always been for a fixed-term ending on 31 July 2022.
The Harrison Collection includes objects spanning five centuries of British social history, from cooking pots to brain surgery tools. It has been on loan to the Museum since 2012 and the much of the Harrison Collection has been on permanent public display since that time.
The Museum trustees have decided that after a decade of housing and storing the Harrison Collection, a renewal of the loan will not be sought. Therefore, the items will be returned to the care of the Harrison Collection Trust and Edward and Richard Harrison.
The trustees assessed the future of the Harrison Collection against a range of factors. This included the Museum’s Collection Development Policy, which is a policy requirement of all accredited museums. This policy sets out the themes and priorities for future collecting and rationalisation. The trustees concluded that the Harrison Collection does not fit with the criteria (including objects on loan), as the majority of the collection does not relate to the local area. The trustees also considered the impact on Museum storage, resources, care and conservation requirements and what the future aims of the Museum are.
Philip Holt, the Chair of Ryedale Folk Museum said “After a decade of displaying the Harrison Collection, we have decided that the loan should end as planned and the collection to be returned to the trustees of the Harrison Collection and Edward and Richard Harrison. We are privileged to have had the Harrison Collection, but the trustees feel that it is time to focus on the Museum’s own collection and move forward with new projects.
“The last 18 months have been particularly challenging due to the public health crisis and while I feel very optimistic about the future, the first priority is to secure the Museum’s future. This is coupled with ambitions laid out in a new ten-year strategy, which puts a greater emphasis on working with communities and local people. My fellow trustees and I believe that the decision to return the loan of the Harrison Collection will help the Museum to open-up new opportunities for growth and deliver greater public benefit.
“I would like to thank the trustees of the Harrison Collection and Edward and Richard Harrison for the kind loan of their items, and we wish them every success with their own plans for the future.”
Ryedale Folk Museum and the trustees of the Harrison Collection are now in discussion about the final year of the loan and the practical arrangements that will follow.
22 June 2021 - Final call for ‘In the Open’ – an open exhibition in response to the Northern Landscape.
There is one week remaining for professional, amateur and hobbying artists to enter their artwork for ‘In the Open’, an open exhibition to be held at Ryedale Folk Museum this autumn.
The museum has been encouraging entries that explore the Northern Landscape within the context of the pandemic, for an exhibition to launch on Saturday 18 September.
Jennifer Smith, Director of Ryedale Folk Museum, says: “We are encouraging a broad range of people to express their feelings about landscape and the countryside, providing a platform for them to share their work and reflections. Artists have until 30 June to enter.
“The increasing recognition of the value of the outdoors and nature has been widely reported during the pandemic. This has been captured in some of the responses so far. We really want to encourage anyone who has been considering submitting an entry to do so this week, about a range of experiences.”
The exhibition is funded by Arts Council England and supported by a number of artists who have shared their own experiences of working creatively during the pandemic via a series of videos, including landscape artist Kane Cunningham, photographer Joe Cornish, and sculptor Andy Goldsworthy. The selection panel will also include ceramic artist Layla Khoo.
Artists can submit an application, including a digital image of their original artwork along with between 50 and 300 words explaining their own experience of how the pandemic has influenced their art or creative practice.
The final exhibition will take place in the gallery at the Ryedale Folk Museum, in Hutton-le-Hole in the heart of the North York Moors National Park, from Saturday 18 September until Sunday 14 November.
Full details of how to enter are available via the website: Art Gallery – Ryedale Folk Museum
Photo credit: by Tessa Bunney – showing Joe Cornish at work
Media Contact – Jennifer Smith: 01751 417367
16 May 2021 - Ryedale Folk Museum launches weddings with a difference across a range of heritage buildings.
The Museum is now able to welcome couples for small and intimate weddings within nine of the twenty heritage buildings across the Museum’s six and a half acres. These include a stunning thatched Manor House, a nostalgic 1950’s village store, and even an Iron Age roundhouse.
“We think the Museum is such a romantic setting,” says Museum Director, Jennifer Smith, “with characterful historic buildings and surrounded by serene countryside – it’s ideal for a small, informal wedding built around a couple’s unique tastes.”
Weddings and civil partnership ceremonies are currently permitted in England for up to 30 people.
“We know it has been a really tough twelve months to have a wedding,” says Jennifer. “What’s heartening, though, is that Covid seems to have focused people’s thoughts on the things that really matter to them.”
Whilst the limit on wedding-guest numbers is set to be removed later in June, some couples continue to explore smaller wedding options that demonstrate their own tastes and preferences.
“Many couples really love the intimacy of a small wedding,” continues Jennifer. “They can gather with a select few of their nearest and dearest and focus on making the day really special and personal. Hosting weddings is something we’d been exploring, but a grant from the Culture Recovery Fund has enabled us to get the venture off the ground this year.”
In its idyllic, moorland location in Hutton-le-Hole, Ryedale Folk Museum is now in a unique position to cater for those seeking a quirky and intimate wedding.
“Our smallest space on offer is an Undertaker’s which can accommodate just two witnesses,” says Jennifer. “It’s not everyone’s cup of tea, of course, and not for the fainthearted, but undeniably different!”
The Iron Age roundhouse, photo by Angela Waites.
8 May 2021 - Ryedale Folk Museum all set for the new season
Ryedale Folk Museum is delighted to reopen its doors to visitors, following the government confirmation that Museums can resume service this month. With a series of additional safety measures in place, the Museum is getting set to welcome visitors this season from 17 May.
“It’s really great news,” says Museum Director, Jennifer Smith. “We have missed our visitors during lockdown and know that lots of people are now ready to get out and enjoy history and culture once more.”
Across the open-air museum in Hutton-le-Hole, visitors will once again be able to explore the cottage gardens, orchard and historic farming area, traditional cornfield and 20 heritage buildings which tell the story of life across the North York Moors from the Iron Age to the 1950s. In the last few weeks, staff have been busy preparing the site for a safe reopening.
“We have a range of measures in place again this year so that staff and visitors can feel confident about returning,” says Jennifer, “as it’s really important to us that people feel able to enjoy themselves in our beautiful museum once more.
“Our absolute priority remains the safety of visitors and staff,” says Jennifer. “We received some really encouraging feedback last season about the systems we’d put in place. For smaller buildings, visitors can check that the space is empty before venturing inside due to a simple flip sign system that is operated by a foot, walking stick or umbrella.”
With over six acres, there is also plenty of outdoor space for visitors to enjoy. “As always, visitors are welcome to bring their own picnics with them,” says Jennifer, “to be eaten anywhere outside. The Museum is set in such a lovely location, with plenty of room for people to spread around, relax with a picnic, visit the animals and enjoy the sunshine.”
Stang End, photo by Angela Waites.
3 May 2021 - Leading artists to share the impact of the pandemic
A group of leading artists, including Andy Goldsworthy, is collaborating with Ryedale Folk Museum to explore the impact of the previous 12 months on artists and their creative practice. It will culminate in an open exhibition in September, bringing together professionals, amateurs and hobbying artists in response to the northern landscape.
The project, funded by Arts Council England, grew out of a strong awareness of the lack of access to the natural environment in adherence to the Government’s Stay Home message at the height of the pandemic. Like everyone else, artists found their travel restricted during a series of lockdowns.
Land artist Andy Goldsworthy’s latest project on the North York Moors developed from conditions created by the pandemic. ‘Southfield House’ is part of Goldsworthy’s quest to explore the environment through natural materials. “It was conceived during lockdown and made between lockdowns,” says Goldsworthy. “I wanted to make something during that period that has that sense of being uplifting. The work is now connected to that moment in time.”
Goldsworthy is one of six artists to feature in a series of videos, created by landscape painter Kane Cunningham, and also including photographer Joe Cornish, landscape painter Peter Hicks, photographer Tessa Bunney, sculptor Peter Coates and painter Francesca Simon. The videos will be shared throughout May and June.
“At its heart, the project is an opportunity for artists to share their experiences and to encourage others who may have seen significant changes to their output because of Covid-19,” explains Ryedale Folk Museum’s Director, Jennifer Smith.
“Through Kane Cunningham’s films, we are seeing honest and open discussions about the challenges – and, sometimes, the opportunities – faced by the artistic community.
“Situated within the North York Moors National Park, we needed only to look outside the museum window to realise that there was nobody here during lockdown. One question that interested us was what impact that was having on artists who respond directly to the landscape and who make their living from that inspiration,” says Smith.
The partnership with Kane Cunningham was a natural one. “For 20 years, I’ve travelled from Scarborough to St. Bees, coast to coast,” explains Cunningham. “In a normal year, my art takes me over hill and dale and across mountain pathways to find the perfect view.”
The sense of loss during lockdown led to a desire to reach out to others on this theme: “I felt the need to discover more about the landscape and what it means to me and other artists in these challenging times. Has it changed the way they think about their work? Has it changed the way they think about the landscape?”
The Museum hopes that sharing the contemplations of other artists will inspire people to create new work or reflect on a piece created since the start of the pandemic, to feature in the open exhibition of two- and three-dimensional work from September.
The submission window opens this week until 30 June, with the selection panel to include Cunningham, Joe Cornish and ceramic artist Layla Khoo.
Artists and other creative practitioners, of any art form, are also invited to send their own brief film clips (less than a minute long) to be shared on social media, responding to the question: ‘How has your creative practice changed in the last 12 months?’
21 April 2021 - New exhibition at Ryedale Folk Museum depicts the ‘incomparable beauty’ of The North
An exhibition of paintings and prints depicting the ‘incomparable beauty’ of The North opens in the art gallery at Ryedale Folk Museum in May.
Ian Scott Massie’s Northern Soul represent the artist’s personal journey of 45 years living in The North. It can be seen from Monday 17 May to Sunday 11 July at the Museum at Hutton-le-Hole, in the heart of the North York Moors National Park.
The 50 watercolours and screenprints portray northern views as diverse as Bamburgh and Barnsley, and landmarks ranging from Fountains Abbey to the Tees Transporter Bridge. The images reach right across the country from Newcastle to Liverpool.
Raised in Buckinghamshire, Massie moved north in the 1970s to study at Durham University. He now lives in Masham in the Yorkshire Dales with his artist wife, Josie Beszant.
He began working in watercolours ‘to paint quickly’ when his children were small, and cites JMW Turner as an influence.
“The depth of colour, the freedom of the expression and the speed at which a picture could come together captivated me,” he says.
The North, he says is ‘the truth of England, where all things are seen clearly: the incomparable beauty of the landscape, the harsh ugliness left by industry, the great wealth of the aristocracy, the miserable housing of the poor, the civic pride of the mill towns and a people as likely to be mobilised by political oratory as by a comedian with a ukulele’.
“Both the pictures for Northern Soul and the book take a very long view of The North, reaching back into my personal history and the history of the region. The exhibition also refers to my time working as a music researcher for Beamish Museum (which I loved), from which experience grew an interest in the industrial, social and folk culture of The North which Ryedale Folk Museum reflects so beautifully.”
Jennifer Smith, Director of Ryedale Folk Museum, says: “I am delighted that we will open Ian’s exhibition on the same day as Ryedale Folk Museum, following a six-month period of closure. Northern Soul is a stunning and atmospheric journey across northern England. Ian captures the beauty, wildness and culture of The North, transporting the viewer to the places featured in his magical paintings and prints.
“The fact that we can share these works online, as well as in the art gallery, means that even if people can’t or don’t want to travel, they can feel nostalgic about their favourite northern places and maybe discover some new ones too.”
Northern Soul can be seen at the art gallery at Ryedale Folk Museum from Monday 17 May to Sunday 11 July 2021. The gallery is open daily from 10am to 5pm. Entry to the gallery is free.
The exhibition will also be available to view on the Ryedale Folk Museum website during the same period: www.ryedalefolkmuseum.co.uk/art-gallery/
A book accompanying the exhibition will be available to buy from the museum’s shop and online via the website at a cost of £26 (plus P&P if bought from the website).
Roseberry Topping, dawn.